Andre leon talley anna wintour dating

“You don't get up and say, ‘Look, I’m black and I'm proud.’ You just do it.

And somehow it impacts the culture,” fashion icon André Leon Talley declares in the new documentary about his life and career.

‘s Power of Women luncheon on Friday, honoree Vera Wang packed her table with fashion A-listers Anna Wintour, Donna Karan and Andre Leon Talley. You have to divorce yourself from it, because it is on 24/7 now. I don’t follow it every day, I don’t want to read about it. I am definitely for Hillary Clinton, because I’ve always loved what she stood for and I just don’t understand the politics.

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My second favorite is the cycle starting with Chris Matthews and [Chris] Hayes, and then a lot of Rachel Maddow.

I catch five minutes of every important show, but my favorite show is “Morning Joe,” so I tend to look at that for an hour-and-half. But I do find you want to hear other things that are going on in the world; you want to know who has passed away like Merle Haggard. But I also think that television is important as an entertaining device. My favorite show to look at in the morning is Wendy Williams because I think she represents something so real and so vital to women.

They planted the seeds of a lifelong love of fashion in Talley.

Being a black man from the South, though, his interest and pursuit of fashion as a career wasn’t always welcomed by those around him.

And that only happens when people at the top content with dated norms and rules that have historically shut certain types of people out.

Talley is one of those trailblazers, who has used his power for good. With a career spanning four decades, notable editorships at legacy fashion publications including , and a number of culture-shifting projects under his belt — Talley is truly in a lane of his own. I love it when people take the time to celebrate the mourning of famous people on CNN or even MSNBC.It’s depressing to realize that a whole lot of non-fiction films in the next few years will be framed in one way or another by Donald Trump’s presidency, whether or not they’re specifically about or exploring politics.After all, he was the mastermind behind the affecting 1996 Vanity Fair fashion editorial reversed the roles in by casting Naomi Campbell as Scarlett O’Hara and white designers John Galliano and Manolo Blahnik as her servants.It was a powerful move, one that subverted old fashion traditions which typically put white models as the central focus and ones with power.“I think his life and time at , it’s that being a black face in a high place isn’t enough — things need to be changed, for the better.Such is the case with “The Gospel According to André,” a movie ostensibly profiling fashion journalism luminary André Leon Talley.

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