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Had the game publishers reprinted the games' text in book form, it would not have carried a certificate, as the BBFC has no oversight over print media.

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Basil Dearden), which implicitly argued for the legalisation of homosexuality, all involved the BBFC in controversy.

In autumn 1972, Lord Longford and Raymond Blackburn decided to pursue a matter of pornography classification for the film Language of Love At that time it was given responsibility for classifying videos for hire or purchase to view in the home as well as films shown in cinemas.

In 1928, the Board's examiners report famously claimed that Germaine Dulac's surrealist film The Seashell and the Clergyman was "Apparently meaningless" but "If there is a meaning, it is doubtless objectionable".

Informal links, to varying degrees of closeness, have been maintained between the BBFC and the Government throughout the Board's existence.

Given that the law now allowed councils to grant or refuse licences to cinemas according to the content of the films they showed, the 1909 Act therefore enabled the introduction of censorship.

The film industry, fearing the economic consequences of a largely unregulated censorship infrastructure, therefore formed the BBFC to take the process 'in house' and establish its own system of self-regulation.

By paying a fee of £2 for every reel of film viewed, and by appointing a panel of viewers under a censor, none of whom had any film trade interests, the growing cinema industry neatly created a censorship body which was both self-supporting and strictly impartial, and therefore was not swayed by any sectional interests inside the film trade or outside it.

Some decisions from the early years are now subjected to derision.

In the period before the Second World War, an extensive but unofficial system of political censorship was implemented by the BBFC for the Home Office.

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