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Her “liberation” occurs in the context of the civil rights movement and the Sexual Revolution.

What is so chilling about that scene is the banality of the blasphemy. Nobody has yet said that I got that wrong; they only object to my interpretation.

It’s just business in Weimar Germany — and that, I take it, is the point: that late Weimar culture is so decadent that even something as defiling as that porn scenario is treated as par for the course (though technically a crime). Listen to me, conservative Christian readers: You had better be ready for that. I’m not going to publish any more “You didn’t see it” whining, unless your point is to correct what I’ve assumed about the plot (in which case, again, I thank you for the correction). Look, I don’t think this movie is telling people to go out and tap the tilapia. Rather, this movie appears in a culture that fetishizes the Other, and that also holds sexual expression to be at the core of one’s identity.

He responded by saying that I really ought to write something.

“The Academy used to play it safe with controversy, but now it’s moving the Overton window faster than in real life,” he wrote.

A film that loves, without conditions, the marginalized, the rejects, those beings that are “different” and have no voice.

It has a perfect villain that embodies those ideologies from the past, but are so relevant, recycled, and even more dangerous today. Blinded by fear and ignorance, he cannot see the others for what they really are, but loses control and reason with the idea they represent for him.

As a member of a minority group, this shouldn’t worry me so much, as many aspects of said “old order” were not worth preserving or friendly to me.

But I’m telling you, what is coming threatens to be much worse because it’s revenge, not justice. I don’t pay attention to the Oscars, or Hollywood, because I’m interested in other things. I watched the trailer just now, and it seems interesting to me that the action takes place at a research facility named “Occam,” as in William of Occam.

Tagged Nietzsche, Weimar Germany, Peter Sanlon, The Shape of Water, Guillermo del Toro, Alejandro Inarritu, William of Occam.

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That is the message of this film, based on the descriptions I’ve read of its plot.

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